“Thankyou Mommy!”

“My pleasure honey. Remember, we’re doing this to save Metal!”

 

I drew this image in response to the news that Metallica’s James Hetfield would be narrating a TV show called ‘The Hunt’, about a party of big game hunters going to Alaska to, well, kill bears. Funnily enough, I’m not dead keen on the idea. I knew Hetfield was into some bloody weird stuff long ago, but something so blatantly, publicly celebrating the murder of wildlife was a step too far. So here are my thoughts, in simple visual language.

This is obviously the work of someone who loves Metallica’s music (while it was still good 😛 ) as you can tell from the t-shirts and M-shaped plaque. There’s a fair amount of cognitive dissonance involved in condemning someone whose work [a long time ago] you greatly respect.

I recommend listening to Megadeth’s Countdown to Extinction as backing music. It seems highly appropriate. Not that I agree with Mustaine on everything (or, for that matter, most things), but it has a particularly fitting theme.

I am in the process of drafting an ethical policy for Grindstone Art. I have very strong views on many issues, and animal cruelty is one of them. I will never depict animal abuse, exploitation or cruelty except to explicitly condemn such acts.

Black acrylic ink, white acrylic paint on paper, 295 x 207mm including margins.

Original and prints for sale, email if interested . 25% of proceeds to a worthwhile anti-hunting cause.

I’ve been back down the cellar again over the last few days and made a start on chiselling the wood into shape. First though, I drew the outline of my foot onto graph paper using a flat pencil, with my heel propped as close to 5cm as I could get it, and adjusted it to produce a suitably elegant shoe outline shape. I traced this out and used a brush and ink to clearly mark the outline on the wooden blocks.

The fine piece of kit in the first picture is a Compass Saw (I’m happy to say I didn’t make up ‘Fatmax’), which has a tapered blade for cutting curves. Unfortunately it becomes really hard to handle properly when cutting through thick pieces like this, so I had to resort to the big handsaw to chop off the bigger pieces around the outside of the shoe shape. This means a bit more chisel work later, but isn’t a big deal.

This is how they come out after the excess has been sawn off. Somehow, these don’t look ready for a night out just yet. I’ll be saying that for a while, but I’m sure the effort will pay off.

Next I used a 32mm (1 1/4″) chisel to get rid of as much of the scrappy edge as I could, paring it down to the inked outline. As I got to work, I revealed the colour of the wood under all that grey coating. I don’t know what had happened to the wood to stain it in that particular way, but when it was cut cleanly it revealed a really distinctive deep red colour. This only occurs within about 3cm of the edge, which is frustrating – I’d really love the whole shoe to be this colour! Isn’t that pretty?

As well as the beautiful reddish-purple there were some much less appealing darker stains made by moisture leaking into the wood, which I’m not to pleased about. That will affect what I do to finish the surface of the wood, but that’s a problem for later. I may well end up painting them. I do have some off-cuts with that red stain so I might use them to make something else so that gorgeous deep red doesn’t go to waste if the shoes get painted.
That said, carving pieces of the dark-stained areas did produce some quite interesting effects, like this cute little swirl of striped colours:

This was how they looked after I did the first round of chiselling and came back to them today:

And this is how they look now I’ve done all the way around the outside:

I’ll finish off the sheer sides with my new Compass Plane in the next couple of days, but it’d be best to finish that fully after I’ve cut the fore-foot areas.

Disappointingly, this wood seems far too soft to hold any detail, as it tears very easily at the end grain. I may have to content myself with some elegantly-shaped, if not intricately-carved footwear in this case. Oh well, at least I won’t be using up all my good ideas at once. More to come soon 🙂

– K.J.

Hey-y-y, finally, I have gotten round to doing the first post on my Making Nice Things blog 🙂  Welcome to JK Mullett/Keira James’ Art and Craft. There is much more to come.

I’m just starting work on my fourth pair of handmade shoes. At some point, I’ll post images of my first three pairs, but for now I’m going to detail all the steps I go through putting a pair of shoes together. I’ve had a fair bit of experience making shoes since I started about a year ago, but it’s still an entirely experimental process – some things I know well enough to do right first time, others I’ll get wrong and I’ll need to find other ways. There’s no other way to learn.

Right, a month or so ago I picked up this bit of timber from a local builder’s yard. Obviously, this bit of wood is past its prime but I think there’s enough solid, undamaged wood on the left side to make a pair of wooden soles. This is how my shoes start out:

Naturally, I’m far too lazy to mark these rough blocks out properly, so I use a reliable enough method of measuring: I know my feet are smaller than my boots, so bigger than that is big enough:

Next I simply sawed the plank across and along the bigger-than-boot marks, which was fairly quick but hard work. It wa actually the first time I’ve used a large handsaw & I found it a little unweildy, but I’ll have plenty more practice before I can put my works into production. There were a few podially-privileged friends living in the splinters so I had to be a bit careful to get them out of the way. I’ll have to find another use for the off-cuts besides being a spider habitat – perhaps carving them into jewellery, shoe clips or other accessories.

In the next few days I’ll plan out exactly what shape these big blocks will be carved into to turn them into usable, comfortable footwear. Two blocks is a far cry from the sculptured form I have in mind for the finished products, but you have to start somewhere.

I’m considering a hybrid of these designs: a closed toe cap with the double-D-Ring fastening strap, and my first attempt at hand-carved detailing on the wooden heel and around the toe area. I’ve plenty to go on since I’ve spent bloody ages sketching out designs. I’ll post finished designs up here as they get, y’know, designed.

That’s all for now.

– K.J.

I’ve taken the best bits of my last set of logo designs and refined them considerably, so I now have a halfway-decent logo for putting on pocket clutter. Here are the latest designs, and the 2-colour vector logo I’ll be using for publicity material for the time being.

1:

A development of the first painted logo, with similar block lettering and the blade below the ‘G’, and a few suitably sharp bits such as the pointed descenders on the ‘R’s and ‘A’. The curving lettering is slanted at roughly the same angle as the first logo, and seems just as dynamic, while the curves make it more consistent with the large grinding wheel emblem. The upper spark is precisely horizontal so acts as an underlining for the wording.

I’m concerned that the ‘GRI’ is a little hard to make out as it could get visually lost in the wheel, especially at a distance but that’s a fairly minor concern, which I will address later, perhaps by adding a narrow border around those letters.

I’ll be vectorising and using this logo until I have time to revise it thoroughly, as I need to get material printed soon.

2:

A similar composition to 1, but with freehand-drawn lettering and more spiny serifs and ornamentation. This has a sort of Hammer Horror look – I’d expect to see this pop up to an over-dramatic discordand violin sound.

The lettering looks a bit crammed, especially around the ‘ND/AR’ which makes it difficult to read and visually confusing so I’d stay away from this kind of lettering unless I was doing a full-on Black Metal style logo (whcih I enjoy doing a lot, but it’s not suitable for illustrators’ publicity material). I’m tempted to do a BM logo for GsA at some point, but it isn’t a priority.

3:

Another horror movie-style logo with a bit more attention paid to the lettering. I’m quite pleased with the lettering style here, but the long descenders detract from the dynamic effect I want. This sort of lettering would be worth using elsewhere but I don’t think it works for GsA.

Vector logo:

So here’s the vectorised copy of the curving block logo. There are a few issues to iron out, such as a few dents & bumps in the vertical lettering and the narrow border around ‘GRI’, but this is serviceable enough for use on promotional material for now. I’d better get to work making some promo-prop then, eh?